Obskuur Ghent Film Festival // International Shorts 3

Dit evenement is afgelopen

Zondag 18 oktober 2020 (van 16u00 tot 17u00)

Zondag 13 december 2020 (van 14u00 tot 15u00)


Obskuur Ghent Film Festival // International Shorts 3

Alpacastraat 29

9000 Gent


Basistarief: 0,00 €

Een gratis selectie van 10 internationale obscure kortfilms. Films zijn Engels gesproken en/of Engels ondertiteld.

Zondag, 18 Oktober 2020, 16.00-17.00
Zondag, 15 November 2020, 15.00-16.00 (geannuleerd n.a.v. Coronamaatregelen)
Zondag, 13 December 2020, 14.00-15.00
Reserveren is niet nodig: walk-in screenings
Gelieve een mondmasker mee te brengen en social distancing regels te respecteren.

Alfred Sküll Gallery, Alpacastraat 29, 9000 Ghent, Belgium

Peaks (United States) by Amahl Khalil. Clear peaks dance in flickering light to reveal their true form.

DARE! (Sweden) by Gustav Olsson. A group of teenage girls in front of a computer screen who are the “Playmakers”, orchestrates the actions of a young boy in disguise entering a corner shop. The demands quickly become more and more bizarre and is well designed to achieve the twist

6 swans (United States) by Maria A Norris. A young girl secretly cares for her six brothers who have been turned into swans by an evil stepmother. When the stepmother accuses the girl of murder, and she is sentenced to burn at the stake, her brothers come to her rescue.

for nonno (Australia) by Sam Calafiore. 'for nonno' is an experimental documentary, a stream-of-consciousness video poem that explores the nature of memory and the ways in which we process the death of a loved one.

Life(y) (United Kingdom) by Cristobal Catalan. 'Life(y)' is the silent short film of a middle-aged man encountering the solitary confinement and monotony of a modern existence.... He yearns for a human connection... however unusual or mysterious.

Spec-i-men (Australia) by Lynne Sanderson. 'Spec-i-men' is an AV track performed live and recorded in isolation by VJ Sustenance. Sustenance experiments with the sync and emergence of effects by layering and building a wall of audio-vision. Archival footage blends with the now to create a sporadic narrative that lies somewhere between music video and expanded cinema. Looking at COVID-19 in relation to history, Sanderson uses archival video footage blended with photos of immediate environment. Images are triggered and layered with effects, blending histories to reveal an uncertain future.

Almost Nowhere (Belgium) by Alexander Wolfgang. When a mother dies from an unknown disease, an old soul appears from the woods to take her away from her family home.

Deternity (Austria) by Mersolis Schöne, Evi Jägle. "Hey you! Watch out! What does the deep midnight say?" 'Deternity' is an experimental poetic short film exploring Friedrich Nietzsche's poem 'Once More' (also called 'The Drunken Song' from the book 'Thus Spoke Zarathustra'). By using a combination of performance and projection techniques, the film depicts a protagonist being confronted with his own psychological dilemmas in a scene dominated by alternating light and shadows.

14-Days (United States) by Michael Amter. Eight animated shorts orig...

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